http://opn.fr/mods/rss/shop.xml OPN Prod fr OPN.Prod http://opn.fr/image/ico.gif http://opn.fr/mods/rss/shop.xml http://opn.fr http://opn.fr/index.php?categorie_Id=13&etat=produit_detail&itemId=847 "Musique du Crépuscule" is a vision of night wrapped in mystery: a night haunted by spectral chants, under the spell of epic, poignant strings and sustained by hypnotic piano pulsations. Its nocturnal universe oozes with hybrid ink, enveloping hidden emotions tainted with melancholy and voluptuousness. A neo-classical or post-nocturnal piece, "Musique du Crépuscule" has many different faces. It alternates between violin riffs, dark cello projections and the complaints of a lone piano, highlighted by enigmatic echoing voices. http://opn.fr http://opn.fr/index.php?categorie_Id=13&etat=produit_detail&itemId=846 The highly anticipated new album by the Swedish duo is finally upon us, under the title “Omne Ensis Impera” . The sense of determination that echoes through their music and which has brought them to the forefront of Martial / Industrial Neo-Classical scene has stayed untouched, evoking the sense of duty and commitment that Italy’s WWI elite storm troops, from which the name Arditi originated, were known for. “Omne Ensis Impera” introduces an additional strength to Arditi’s compositions - epic orchestral loops and thunderous percussions are granted a more prominent role, stirring the damp and suffocating ambiance that the duo have always produced so well with their use of ominous synths, obscure speeches and mesmerizing narrations. Similarly, shades of the Italian Futuristic movement of the early XXth century, which served as inspiration in the early days of the project, remain imprinted in Arditi’s work – “Omne Ensis Impera” could well be a modern interpretation of the Futurist’s goal of glorifying warfare to an artistic expression beyond its inherent violence and intrinsic sense of heroism. “Omne Ensis Impera” has been mastered by Kamrat Nordvargr of Mz.412 and Toroidh, an old ally of the band. Nordvargr has also contributed with additional arrangements on a couple of tracks, and prepared a slightly modified track list, which will feature on the vinyl version of the album that will follow soon, together with a limited edition box set. The CD version is presented in a deluxe glossy Digipak, with embossed artwork. http://opn.fr http://opn.fr/index.php?categorie_Id=13&etat=produit_detail&itemId=845 In the year 1999, while mankind sat unnaware of their fate and wondering if the moon would drift away into the far reaches of space as the XXth century came to an end, Puissance would reappear, clad in shining armour. With the Industrial rust of early days properly polished, the Swedish duo would further explore their talent for graceful arrangements set to Militaristic Neo-Classical music. Following the overtly confrontational offerings of \"Let Us Lead\" and \"Back In Control\", Puissance were now set to resurrect the ghosts of Cold War and the obsession with all things thermonuclear that haunted the planet - the Mother of Disease, as they would call it - over that period. Brooding hymns to suicidal heroism, devotional praises to a new god that would finally bring closure to the human race, the screeching of metal twisting and melting - all of this would find its place in Puissance\'s own beautiful vision of the impending apocalypse, that they so ingeniously depict on \"Mother of Disease\". \"Mother of Disease\" is the third full length album produced by Puissance, and also their third re-issue on Equilibrium Music, following the early \"Let Us Lead\" and \"Back In Control\" releases, and last year\'s new album, \"Grace of God\". Much like it\'s predecessors on this fine collection, it has been re-mastered and enhanced with one bonus track, presented in a matte-blue deluxe digipak edition. http://opn.fr http://opn.fr/index.php?categorie_Id=13&etat=produit_detail&itemId=844 Picture LP out on Avantgarde Music Licensed by Last Epitaph in 1994 http://opn.fr http://opn.fr/index.php?categorie_Id=13&etat=produit_detail&itemId=842 Out on Drakkar Productions - Cat ref DK027 http://opn.fr http://opn.fr/index.php?categorie_Id=13&etat=produit_detail&itemId=841 Housed in a digibook with full colour booklet http://opn.fr http://opn.fr/index.php?categorie_Id=13&etat=produit_detail&itemId=840 Fulldozer Records presents: the international compilation dedicated to memory of Jhonn Balance (tribute to COIL). After the tragic death of Jhonn Balance - COIL had abolished. In one moment a musical epoch was gone. But the memory is alive. The idea of a compilation in memory of Jhonn Balance had been wandering the minds through the whole year after this tragic event and was realized by a virtue of two labels - Fulldozer (Russia) and Nocharizma (Ukraine). Peter Christopherson had personally approved this idea. Lots of eminent and cult musicians responded to the offer to participate in tribute: The Threshold Houseboy's Choir (Peter Christopherson, COIL), Thighpaulsandra (feat. Jhonn Balance), COH, Alec Empire, Alva Noto, Chris Connelly, Schlammpeitziger, Scanner, KK.Null, 2/5 BZ, Theodor Bastard, Volga, EU etc.) http://opn.fr http://opn.fr/index.php?categorie_Id=13&etat=produit_detail&itemId=839 fresh survey of Russian post-industrial scene performed by KultFront activists. Cyclotimia, Anthesteria, Reutoff, Bardoseneticcube, Ritualnaya Bioingeneria, EKRAN (collaboration between Kryptogen Rundfunk and Anthesteria), Sal Solaris, Necropolis, BRZB (collaboration between Dmitry Zuboff from Hypnoz and Alexei Borisov) and many more http://opn.fr http://opn.fr/index.php?categorie_Id=13&etat=produit_detail&itemId=838 feat. comFORdebt, Nazi Bastards From Aldebaran, Rupor Udara, Majdanek Waltz, MP 44, Kryptogen Rundfunk, Cloning Experiment Failure, Comforter, Linija Mass, Fedor Svolotch, Chelovek, Mashina I Trans V Urbastrukture, DMT, Shumy Rossii (Noises of Russia), Disciplina Arcani, Cisfinitum, Knut. \"The third release of musical label KultFront is a compilation entitled \"Red Square\". 16 Russian industrial projects, more or less known, prepared exclusive tracks for this compilation. There was a simple task given to the musicians - to try to express their attitude to revolution in general and to National-Bolshevism in particular. Maliciously, archly, pathetically, cosmically, intelligently - it\'s all went different. That\'s why the compilation contains very stylistically diverse, but qualitatively rich and rather difficult for one-time listening industrial mass. Fragile cardboard sleeve symbolizes the frailty of existence while the CD itself is done in the form of steel armoured train wheel. Just as revolution absorbs absolutely everything, the music and design of this release include completely incompatible, sometimes diametrically opposed things. Intro and Outro contain the recordings made during revolutionary mass-meeting in St. Petersburg at November 7, 2004. Conceptually, this CD has all the chances to go down in history of Russian industrial.\" http://opn.fr http://opn.fr/index.php?categorie_Id=13&etat=produit_detail&itemId=837 4th release of KultFront label and the 2nd officially published work of Ryazan-based group Majdanek Waltz. "Silver age dark folk" - that's how this release can be characterized. Live flute and accordion, guitar and bass, accompanied by smooth industrial noises, cast the feeling of transparent melancholy. This is neither light nor dark feeling. More likely it's closer to cosmic coldness, whirling onto the earth surface. Besides Majdanek Waltz this album was prepared with the help of other musicians: Anthesteria (St. Petersburg) and Wolfsblood (Moscow). Anthesteria presented a remix on the track "Everything is going to be in winter way"; Wolfsblood sang on the track "Cold" to the accompaniment of MW. In addition to this album you'll find previously officially unreleased track "Raven" and two thematic photo galleries uncovering the visual constituent of inner life of Majdanek Waltz' musicians